
One of my adult ed. drawing students was one of the first coeds at Princeton when the school first opened its doors to women in 1969. She commissioned me to make this image, which will be printed onto buttons and handed out at her upcoming reunion.
I can't even believe how much time I've spent eating this week. So far, my own pregnancy has been a surprisingly realistic simulation of what I think motherhood might be like. For example, the following is an actual conversation that I had with my abdomen this afternoon:
Fetus: "MOM!"
Me: "Not now, Mommy's working."
Fetus: "But I'm hungry."
Me: "How can you possibly be hungry? We just ate lunch."
Fetus: "But I AM! I'm starving. I need you to make me a grilled ham and cheese sandwich. Actually, two grilled ham and cheese sandwiches. But I want you to make them the way Daddy does. I don't want you to burn them. And I want you to eat them really fast, like you're in a contest. Because I'm really really hungry!"
I've already begun teaching him/her how to cope with disappointment. As I swiftly downed my (oh my god delicious) burnt grilled ham and cheese sandwiches, I pictured our kiddo throwing a little tantrum, or flipping me off with his or her tiny, newly formed hands, shrieking, "But that's not how Daddy makes it!"I will post much, much more art next week;)
I spent all of last Thursday and Friday making my side of the studio presentable. Hanging work (the super obsessive-compulsive way that I do it) is kind of intense. But I always find it rewarding to see everything up all together. It's also a good time to notice previously unseen connections--conceptual and/or visual.


Yesterday I finished my newest batch of egg paintings by attaching their hanging apparatus. This process involves driving a big pin into the back of each egg and making it into a sort of big thumb tack. I used to hate this part, and it used to take forever. But I worked out a new system sometime last year that involves hammering a tiny nail in first. I love to hammer stuff, almost as much as I love to work crouched in a ball on my studio floor. I used to make all of my huge paintings crouched on the floor like this, but I stopped to save my back later on down the road. It seemed fine to gnarl myself up when I was in my reckless twenties, but since I've entered my thirties, I've been thinking more about things like 





I'm planning to mount them on square panels instead. I played around with different possibilities. When I held this guy up to this painting: 
I spent a lot of time today playing around with my old photo collection. I have hundreds and hundreds of these pictures of strangers. I look for clues.
I also made this new pair this afternoon, keeping with the theme of sparrows and vintage photos.








